Starry Evening over the Rhone, from the gathering of the Musée d’Orsay in Paris, is to be lent for an exhibition in Arles—the town the place it was painted in September 1888. The image would be the primary attraction within the present Van Gogh and the Stars (opening 1 June 2024) on the Fondation Vincent van Gogh Arles.
In Arles, Van Gogh’s nighttime scene will probably be introduced alongside different depictions of the heavens by artists from the nineteenth century to the current. Featured painters are to incorporate James Ensor, Edvard Munch, Vasilly Kandinsky, Georgia O’Keeffe and Yves Klein.
Van Gogh captured the view from the riverside at Place Lamartine, three minutes’ stroll from the Yellow Home, the place he was dwelling. Starry Evening over the Rhone depicts the view trying south, in direction of the city centre, with the lately put in road gaslights alongside the Rhône. Within the foreground a pair of lovers stroll on a sandbank just under the promenade.
The principle stars clearly type the Nice Bear (also called the Plough or Huge Dipper), however when Van Gogh was engaged on the portray they’d have been to the north—or instantly behind him as he confronted in direction of the centre of Arles. He shifted the constellation for creative causes. Van Gogh additionally exaggerated the impact of the gaslights mirrored within the fast-flowing river.
Vincent described his image to his brother Theo: “The starry sky eventually, really painted at evening, beneath a gaslamp. The sky is green-blue, the water is royal blue, the bottom is mauve. The city is blue and violet. The gaslight is yellow, and its reflections are crimson gold and go proper right down to inexperienced bronze… Two small colored figures of lovers within the foreground.”
Surprisingly for an artist who did not promote his work, a newspaper article information that he was engaged on the portray. An area paper, L’Homme de Bronze, revealed a report on 30 September 1888: “Mr Vincent, an impressionist painter, works, we’re instructed, within the night, by the sunshine of the gaslamps, in one in every of our squares”. This represents one of many earliest revealed references to the artist.
Legend has it that Van Gogh positioned candles on his hat with the intention to paint at evening, as reported by the biographer Gustave Coquiot in 1923. This weird follow had earlier been attributed to the Spanish artist Francisco Goya, who depicted himself in an early 1790s self-portrait sporting this weird headgear.
However absolutely sporting a hat fringed with candles on the brim could be fairly impractical – and extremely harmful. Van Gogh most likely employed a extra mundane methodology: standing beneath a road gaslamp, probably with a candle positioned in his paintbox and even on his palette. He most certainly started the image outdoors and completed it in his studio within the Yellow Home.
Nevertheless he labored, the sight of an artist portray at evening should have attracted appreciable consideration, since Place Lamartine was a busy sq. close to the railway station. This most likely explains why his presence caught the eye of the native newspaper.
Astonishingly, Joseph Pennell, an American artist, visited Arles for a number of days whereas Van Gogh was dwelling there—and drew nearly precisely the identical view. Pennell dated his drawing “September 1888” and Van Gogh accomplished his portray round 29 September. An enormous barge, pushed by a tug, dominates Pennell’s composition.
Did the 2 males meet? With Van Gogh dwelling simply three minutes away from the spot the place Pennell made his sketch, it appears fairly believable. There have been then few artists in Arles they usually may nicely have heard concerning the different. In Pennell’s memoirs, written in 1925, he was dismissive of the Dutch artist: “Whereas I used to be in Arles, Van Gogh was there – le fou [the madman]”.
4 months earlier Van Gogh had drawn an identical view to that of his painted riverscape, this time beneath a strong setting solar. In his sketch View of Arles on the River Rhône he included a pair of horses on the sandbank and a Rhône crusing vessel with a smaller rowing boat.
Yet one more artist, Léo Lellée, additionally drew a Rhône scene, some 20 years later. He, like Pennell, was primarily an illustrator, exhibiting extra of a chook’s eye view of the buildings, together with the Roman area with its large arches.
Van Gogh’s portray of Starry Evening over the Rhone was one of many first which he publicly exhibited, on the Salon des Indépendants in September 1889. When Vincent wrote to Theo about his alternative for the present, he stated he didn’t wish to exhibit “one thing too mad”—so Starry Evening over the Rhone could be a sensible choice. He defined that individuals significantly appreciated this portray, alongside along with his Sunflowers (August 1888).
When the Indépendants present opened Starry Evening over the Rhone was singled out for point out by the avant-garde critic Felix Fénénon. He described Van Gogh as a “diverting colourist even in eccentricities like his Starry Evening”.
Starry Evening over the Rhône turned out to be the precursor of what would change into an much more celebrated portray, merely entitled Starry Evening. This was painted the next june after he had moved to the asylum at Saint-Rémy-de-Provence. On this later image, now at New York’s Museum of Trendy Artwork, the dramatic stars and crescent moon illuminate a pair of hovering Provençal cypresses.