Robert Whitman, who was among the many group of artists that pioneered the Happenings of the late Fifties and early 60s, has died. He died on Friday (19 January) in his dwelling in New York’s Hudson Valley, and his dying was introduced by his longtime gallery Tempo. He was 88 years outdated.
The now-seminal Happenings——which Whitman carried out alongside the likes of Allan Kaprow, Claes Oldenburg, Jim Dine, Pink Grooms and others—have been among the many first artworks to convey dwell parts extra usually related to theatre to the world of galleries and non-profit visible artwork areas, and they’re largely thought of to have been precursors to modern efficiency artwork. Whitman’s want to pursue his unconventional inventive visions additionally led him to co-create the collective Experiments in Artwork and Know-how (EAT), which he co-founded with Robert Rauschenberg with the assistance of Bell Phone Laboratories engineers Fred Waldhauer, Billy Kluver and Julie Martin.
Whitman was born right into a rich household in New York Metropolis in 1935, and his early childhood was spent on the North Shore of Lengthy Island. His father died when he was ten years outdated, at which level his mom moved him and his youthful brother to Englewood, New Jersey. From a younger age, Whitman was drawn to dwell efficiency and the inherently incalculable and distinctive occurrences attainable solely when audiences and performers share an area.
“My very first expertise of artwork was seeing the clown Emmett Kelly within the circus,” Whitman informed The Brooklyn Rail in 2003. “It was like a miracle. I saved trying round, questioning, ‘Everyone’s trying however they don’t seem to be like, seeing God.’ So, that form of fastened me proper then and there.” Whitman was six on the time, and the efficiency that he witnessed was Kelly’s gag by which he would faux to brush a highlight underneath a rug.
Whitman initially got down to turn out to be a playwright, finding out literature at Rutgers College, the place the college included Kaprow, Robert Watt and George Brecht. In 1959, the first-ever Taking place—Kaprow’s 18 Happenings in 6 Components—befell on the Reuben Gallery, and Whitman was invited to take part. The next 12 months, Whitman’s first main efficiency, American Moon, additionally befell at Reuben Gallery.
Whitman’s 1964 work Rest room Sink, now within the assortment of Madrid’s Reina Sofia Museum, was an early instance of his merging pursuits in efficiency, know-how and blurring the strains between viewers and participant. In it, footage of a lady going by her morning routine is projected onto a toilet mirror; the footage bounces off of the mirror and onto an adjoining wall, however the viewer is implicated by the entanglement of their very own reflection.
In 1965, Prune Flat, his best-known work, debuted. Prune Flat included each dwell actors and projections, and would go on to be introduced at a number of Off Broadway theaters. In 1967, Whitman had his first solo exhibition at Tempo Gallery; titled Wavy Pink Line, the present consisted of a spinning pink laser that may dance throughout the partitions and that Whitman created in collaboration with Eric Rawson, an engineer with Bell Labs.
“Bob was a real pioneer. His Happenings blurred the road between dreaming and waking life. Someway, he made the unbelievable actual,” Arne Glimcher, founding father of Tempo Gallery, stated in an announcement. “From the start, I used to be deeply intrigued by his imaginative and prescient, and I remained astounded by his brilliance over the course of seven many years of our friendship.”
Although he eschewed standard supplies, which frequently meant forgoing standard business success—it’s more durable to promote a multimedia efficiency piece than it’s a portray or sculpture, for instance—Whitman stayed true to his imaginative and prescient for the remainder of his profession, discovering houses for his work with longstanding bastions of experimental artwork, such because the Dia Artwork Basis, amongst others.